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Andrew Foster-Williams (Bass-baritone)

Andrew Foster-Williams studied at and is a Fellow of the Royal Academy of Music, London.

Recent and future opera highlights include Telramund Lohengrin for La Monnaie, Brussels; Balstrode Peter Grimes for Theater an der Wien; Escamillo Carmen for Bregenz Festival; title role in Don Quixotte for Opera National de Bordeaux; Donner and Gunther in Opera North’s Wagner Ring Cycle in 2016; and Don Pizarro Fidelio for Theatre an der Wien and Philharmonie de Paris.

Concert plans include Mendelssohn Elijah with the Adelaide Symphony Orchestra and Nicholas McGegan with whom Andrew will also appear in concerts including music by Bach and Mendelssohn; Janacek Glagolitic Mass with Orchestre Métropolitain Montreal and Yannick Nézet-Séguin; Bach St Matthew Passion (Christus) with the Philadelphia Orchestra; Mahler Symphony No 8 for the Leeds International Concert Series; Bach St John Passion (Christus and arias) with the Cleveland Orchestra and Franz Welser-Möst and Haydn The Seasons with Paul McCreesh and the Gabrieli Consort on a European tour and recording.

Recent opera roles have included Telramund at the Lanaudière Festival with Nézet-Séguin; Donner Das Rheingold at the 2015 Ruhrtriennale Festival; Faraone in Rossini Mosé in Egitto for Welsh National Opera; Pizarro Fidelio for Opera North; Fenice in Handel Deidamia and Hidraot in Gluck Armide for Dutch National Opera; Albert in Werther for Washington National Opera; title role William Tell in Bad Wildbad; Nick Shadow The Rake’s Progress for Opéra National de Lorraine; Balstrode Peter Grimes and Deborah Warner’s staging of Messiah for Lyon Opera; Count Figaro at the Beaune Festival; Golaud Pelléas et Mélisande, Villains in Les Contes d’Hoffman in Moscow.

Concerts include Méphistophélès in Berlioz La Damnation de Faust with the Russian National Orchestra; Beethoven Cantata on the Death of Emperor Joseph II with the San Francisco Symphony Orchestra and Michael Tilson Thomas; Elijah with the Sydney Symphony Orchestra, Handel and Haydn Society of Boston and with DSO Berlin; Mozart Requiem with the New York Philharmonic Orchestra; Haydn Nelson Mass and Bach Lutheran Mass with Franz Welser-Möst and the Cleveland Orchestra; Bach St John Passion (Christus) with the Royal Concertgebouw Orchestra; Haydn The Seasons and Mozart Requiem with the LSO; Britten War Requiem with the Oregon Symphony Orchestra; Beethoven Missa Solemnis and Brahms Requiem with L’Orchestre des Champs Elysée and Phillipe Herreweghe and with the RLPO and Vasily Petrenko; Bach St Matthew Passion (arias) and Mozart Requiem with the Philadelphia Orchestra; Haydn Creation with the Gabrieli Consort; Concert Spirituel and Hervé Niquet; Spohr Die Letzen Dinge and JC Bach Lucia Silla with the Salzburg Mozarteum Orchestra and Ivor Bolton; and solo orchestral programme of Mozart and Handel arias with the Hong Kong Philharmonic Orchestra.





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